Sister Act Review
If you go to see
“Sister Act,” now playing at the Round Barn Theatre at Amish Acres, because you
want to see the movie “Sister Act,” upon which it is based, you’re going to be
disappointed.
No, scratch that.
You’re going to be delighted because you’ll get exactly what you came for, only
a whole lot more.
The creators of this
musical made the decision to keep the basic plot: a singer witnesses a murder
and is sent to a convent for safekeeping until a mobster can be brought to trial.
Both singer and sisters are changed for the better.
But those wonderful
oldies sung in the movie have been replaced by original songs written by Alan
Menken (yeah, that Alan Menken, the one who composed music for Disney’s “Little
Mermaid,” “Alladin,” “Beauty and the Beast,” and so much more), and a script by
a couple of Emmy and Golden Globe winning geniuses who have written for, among
other shows, “Cheers” and “Friends.”
What makes all these
ingredients work for the Round Barn audience is Dee Selmore, who plays the
aspiring singer Deloris Van Cartier. She is that rare performer who can both
carry a show and challenge everyone in the cast to greater performances
themselves. Selmore has some pretty big shoes to fill, considering the
memorable actor who played her role in the movie, and she is up to the
challenge.
The company doubles up
on various roles, but the champion is Round Barn regular Don Hart. I lost track
of the number of roles he played, as he carved out fresh characterizations with
each quick costume change.
The writers have set
the show in the 70s, an easy decade to lampoon because it had some of the worst
fashions, worst music, and, thanks to the hilarious portrayal of the murderer’s
henchmen, Martin Flowers, Travis Bird, and Justin Williams, the worst moves
when it comes to dancing, dressing, and romancing. These three create
characters who are legends in their own minds.
Ryan Schlisler is the
brooding, yet convivial villain. He casts a long shadow over the plot, allowing
Dee Selmore’s light to shine all the brigher.
Lauren Morgan
transcends the versatility she’s brought to the several roles she’s played
this season. As Sister Mary Martin-of-tours I simply did not recognize her, and
wondered until intermission when I checked my program, what senior citizen
they’d brought to play the wildly eccentric church choir pianist.
In fact the women’s
ensemble playing the nuns is wonderfully strong, funny, and musical. My
favorite number in the show, “Raise Your Voice,” is buoyed by the epiphany
experienced by the sisters as Deloris teaches them to sing together. The
lyrics, based on many songs I remember from my years in parochial school, are
wickedly tongue twistery, if I can coin a phrase, leaving one amazed and
amused.
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